Saturday, 2 February 2013

PLANNING: Final Cut Pro


Final Cut Pro:

The Final Cut (Pro and Express) interface was designed around traditional (i.e. non-computerized) editing work-flows, with four main windows that replicate tried-and-trusted methods of organizing, viewing and editing physical tape or film media. The Browser, where source media files (clips) are listed, replicates the editor's traditional film 'bins' or stacks of videotapes. The Viewer, where individual media files can be previewed and trimmed, replicates the source monitor of older tape-based systems.
 The Canvas replicates the 'program' monitor in such systems, where the edited material is viewed. The Timeline, where media are cut together (assembled) into a sequence, replicates the physically edited film or master tape of earlier systems. There is also a small Toolbox window and two audio-level indicators for the left and right audio channels.
Both the Viewer and Canvas have a shuttle interface (for variable-speed scanning, forwards or backwards through a clip) and a jogging interface (for frame-by-frame advancing).


No comments:

Post a Comment